Cool has come a long way, literally. In a 1973 essay called “An Aesthetic of the Cool,” art historian Robert Farris Thompson traced the concept to the West African Yoruba idea of itutu—a quality of character denoting composure in the face of danger, as well as playfulness, humor, generosity, and conciliation. It was carried to America with slavery and became a code through which to conceal rage and cope with brutality with dignity; it went on to inform the emotional textures of blues, jazz, the Harlem Renaissance, and more, then percolated into the mainstream. [Scholar Peter] Stearns argues that cool’s imperatives of flexibility and fluidity helped Americans escape rigid Victorian morality into modernity and developed along with mass production and mass media as a new individualist ethos.
- How “cool” was born. Pair with the surprising origin of “meme.”




















A supporting character in the novel I’m writing smokes these. Her name is Galina. She is 20. She smokes them because her older sister always has.






These childhood rites of passage — the rough-housing, the precocious sexuality, the first bloom of power plays — really don’t make it into the oral history of most women. Men speak fondly of those strange bursts of childhood aggression, their disastrous immature sexuality. They have a vocabulary for sex and violence that women just don’t. Even as adults.
- I Was Not a Nice Little Girl by Gillian Flynn










Sometimes if you let people do things to you, you’re really doing it to them.
- Sharp Objects by Gillian Flynn










I have a meanness inside me, real as an organ.
- Dark Places by Gillian Flynn





“I wrote it because it was a story I needed to tell. And usually when a writer sits down with that kind of fire in their belly it always strikes a chord with audiences. TWENTIES is the most personal script I’ve ever written and I don’t think it’s a surprise that it’s also gotten me the most attention. People like it when you tell the truth. And this is mine. But I also think it’s universal. Because who can’t relate to being in your twenties and sucking at life?" -Lena Waithe






The regular girl couldn’t make it, so I’m here.






Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.
- Ira Glass










boarding school | lana del rey